Wednesday, April 1, 2009
College Girl
Opening with a "snapshot" of the main character, College Girl instantly becomes a story that the reader knows they will be able to relate to, in that the protagonist has flaws. She could be any one of us. She knows she is attractive to some, but not all. She is curvy and not tall and not short. Her nails have been chewed and she gets pimples frequently. Her lips are full and her stomach is flat.
Natalie is a senior at the University of Connecticut. She is unique but she still has the exact same insecurities anyone has at that age. It is how she copes with these insecurities that makes her different and ultimately leads her down a destructive path. She is incredibly likeable though, which creates an affinity between the reader and Natalie. Thus, she is easy to cheer for; everyone will want her to succeed at finding her true self.
It is unfortunate that so many of the people in Natalie's life are self-centered. Their faults and inability to be there for Natalie will either break her or give her a greater resolve to surmount the obstacles in her path.
Patricia Weitz has done a laudable job of creating a world that any reader can identify with; Natalie's boyfriend is the same jerk I dated in highschool. And after I broke up with him, I dated another one just like him in college. College Girl is comforting because it proves that all of us experience these situations at some point in our life.
College Girl is a fast book that is incredibly easy to read. It evokes a full of emotions: happiness for Natalie's good grades and attractive suitors, sorrow at the destructive path Natalie goes careening down as she tries to make herself more loveable. Every character is someone we have known at one point in our life, so the image of each participant in the book is easy to conjure up in our minds.
I recommend reading College Girl; anyone who has ever gone to school, struggled with self-image or dated will enjoy this story of searching for, and finding, one's true self.
Wednesday, March 18, 2009
Shannon
In true Frank Delaney fashion, Shannon is a novel that carries the reader straight into the heart of Ireland and into the homes of its inhabitants. With legends of how Ireland came to be, to delineations of Ireland's topography, Shannon is a story deserving of high praise.
In 1922, a priest named Robert Shannon journies to Ireland to find his roots and hopefully find himself along the way. He is a victim of shell shock after being stationed in France during the war. Though he was there as a chaplain, his heroics left him in a state of great mental distress. The American Archdiocese has decided to sent Father Shannon on a trip; the reader later discovers that they have an ulterior motive for sending him away. His being gone is their way of covering up something. That something is known only to a few.
Shannon begins with hooking the reader to a character that can be instantly empathized with:
At the vulnerable age of thirty, Robert Shannon lost his soul. Nothing is worse; no greater danger exists. Only sinners lose their souls, it's said, through the evil that they do. Not Robert Shannon. Incapable of anything but good, he lost his soul through savagery that he witnessed, horrors that he saw. And then, as he was repairing himself and his beliefs, he was ravaged further, in the pursuit of his own faith.
When you lose--- or have ripped from you--- the spirit that directs you, you have two options. Fight for your soul and win it back, and you'll evermore be a noble human being. Fail, and you die from loss of truth.
Frank Delaney assists the reader in seeing the land through which Father Shannon travels, by using subtle, peaceful images. As a result, it is simple to walk next to Father Shannon as he makes the journey to self-forgiveness:
They trudged happily through moorland, which turned into meadow. High skies took clouds across the sun now and then, and the patches of sunlight warmed their shoulders. Cows looked at them but did not feel moved to rise from their pools of grass. The meadow grew pooer: Clumps of mauve sedges interspersed with thin swaths of hay, coarse grasses, and a straggly hedge of thorn to which some white blossom still clung. Far ahead of them, at the eastern top corner of the moor, sottd a grove. They trudged through the spiky grass.
Within the grove lurked a stand of water, from which a clear stream flowed over a brown bed. Dense bushes crowded low to the water's edge. No life could be seen in the pool, it was too dark. Now and then a lazy bubble rose in the center, as though an underwater giant burped.
I've said it before and I will say it again: Frank Delaney is an admirable author of both physical and emotional journies. He knows his niche and he excels at it. It would be impossible for someone to read his books and not fall in love with Irish lore and land. Shannon is definitely one of his very best works, in that it is not merely a tale of discovery, it is also a story steeped in history and wrapped neatly with a hint of intrigue. Any reader can be assured of not being disappointed with Shannon by Frank Delaney.
Tipperary
Though this book is a couple of years old, I still wanted to read and review it. Partially because the subject matter is dear to my heart, but also because Tipperary did not fare as well in reviews as Ireland, also by Frank Delaney.
So, did I like it?
My answer would have to be a resounding yes! Granted, Tipperary starts off requiring the reader to think a little more than some novels. Frank Delaney gave the book two narrators in two different time periods. Ultimately in doing so, it truly works to the reader's advantage.
The first narrator is Charles O'Brien. Born in 1860 in Tipperary, he is the son of well-respected parents who run their own farm. Charles has no interest in taking over the family business so he sets out to become an herbal healer to the country folk of Ireland. After apprenticing with Dr. Egan, Charles gains a bit of notoriety for his skills and gets called to Paris to treat Oscar Wilde, a fellow Irishman. There, he meets April Burke, young at the age of eighteen, especially in comparison to Charles O'Brien's then age of forty. Age knows no bounds, and Charles immediately falls in love with April, only to be rebuffed time after time.
The second narrator is a man in the next generation who has found Charles O'Brien's journal. This second voice is actually what gives the novel validity and depth because he explains what O'Brien is talking about in relation to what else was going on in history at that point in time. Partway through the story though, you discover that this second voice is not just a very helpful guidebook. He is actually linked to the characters the reader comes to embrace.
Tipperary is a multi-faceted book about Ireland and her geography, her history and her traditions. It is a book about war and rebellions, about genealogy and roots that run deeper than can be seen from the surface. Tipperary is a book about love of land and family; it is a story about the many passions of life.
Reading Frank Delaney's Tipperary will enthrall the soul and make the reader wish for the spell to never be broken. It is a delightful journey of highs and lows, of trials and felicity. Tipperary must be traversed by anyone who thrills at finding passions in life.
Wednesday, March 11, 2009
Eat, Drink, and Be from Mississippi
There is a certain way one is expected to live in the south. Don't hurry. Treat everyone with kindness. Love God. Eat lots of fattening food. So what happens when you take a boy out of Mississippi and place him in California? Well, you can take the boy out of Mississippi, but you certainly can't take Mississippi out of the boy.
Truely Noonan and his sister Courtney are both transplants from Mississippi to California. As adults, they are both smart and hardworking, making them very successful and wealthy. They have something else though; they have an ability to love their neighbor and always try to do right by them.
Even though Truely and Courtney are struggling to deal with the ends of their own marriages, they befriend a troubled young man named Arnold. Arnold has no father, his mother is in prison, and his best friend has been badly injured in the war.
Truely and Courtney take it upon themselves to show Arnold a better way of living. They give him a place to stay and help him get an education. Most importantly, they never stop believing in him. They grow to love Arnold, like a parent would their child. In the process, they all learn that family does not have to be blood, and home is wherever your "family" is.
Nanci Kincaid has written a truly remarkable story that is enjoyable to read. It is a comment on the dysfunction in every family and how true family will still be there in the end. She defines every character the minute they are introduced to the story, making the the reader honestly care. Truely is the first character we meet:
Hinds County needed rain. Heat rose to nearly a hundred degrees most afternoons. Already two boys had gone down, threatening to collapse of heat stroke. They'd been sent to sit under a sprawling shade tree with cups of ice chips to chew on. One spilled the ice on his head and rubbed it over his parched skull.
Truely had long ago sweat through his pads and jersey, adding a couple of pounds to his misery. It occurred to him that wearing a helmet in this kind of heat could cause your brain to fry. Still, drill after drill, he went at it full speed. Nobody on the field worked harder or complained less. According to his coach there was a certain genius to that. Truely liked pushing himself. He liked knowing that no matter how tough it got out there, he didn't quit. Nobody could make him.
Eat, Drink, and Be from Mississippi is a great read with an uplifting message for anyone who has ever faced problems within their family. A book about rising above the trials of life and moving beyond them, Eat, Drink, and Be from Mississippi is a heartwarming must-read.
Monday, March 2, 2009
The School of Essential Ingredients
In Erica Bauermeister's first novel, The School of Essential Ingredients, the reader can expect to be tucked into an inviting pocket of warmth. From the first page of the prologue, the story is magnetic, creating a secure environment in which any reader will languish in the details of the setting, and the images and smells (and emotions) created while the characters are cooking food.
It may sound like a simple enough premise, and it is; however, the simplicity is the beauty of it. Every element of the book is described in such an original yet honest way, the reader will feel like the ninth member of the cooking class the story revolves around.
The only caveat of this book is that if you are on a strict diet, you may have a problem adhering to it when the smells and sounds and flavors come to life on the page before you. Try to keep your mouth from watering when you read:
Once the crabs were clean, Lillian explained that they were going to be roasted in the oven. "We'll make a sauce, and it will permeate into the meat through the cracks in the shell. The best way to eat it is with your hands."
The class reassembled in their seats facing the wooden counter in the middle of the room. Lillian put out the ingredients--- sticks of butter, mounds of chopped onion and minced ginger and garlic, a bottle of white wine, pepper, lemons.
"We'll melt the butter first," she explained, "and then cook the onions until they become translucent." The class could hear the small snaps as the onions met the hot surface. "Make sure the butter doesn't brown though," Lillian cautioned, "or it will taste burned."
When the pieces of onion began to disappear into the butter, Lillian quickly added the minced ginger, a new smell, part kiss, part playful slap. Garlic came next, a soft, warm cushion under the ginger, followed by salt and pepper.
"You can add some red pepper flakes, if you like," Lillian said, "and more or less garlic or ginger or other ingredients, depending on the mood you're in or the one you want to create. Now," she continued, "we'll coat the crab and roast it in the oven."
Erica Bauermeister also masterfully brought each image to life:The kitchen was ready. The long stainless-steel counters lay before her, expansive and cool in the dark. Lillian knew without looking that Robert had received the vegetable order from the produce man who delivered only on Mondays. Caroline would have stood over skinny, smart-mouthed Daniel until the floors were scrubbed, the thick rubber mats rinsed with the hose outside until they were black and shining. Beyond the swinging door on the other side of the kitchen, the dining room stood ready, a quiet field of tables under starched white linen, napkins folded into sharp triangles at each place. But no one would use the kitchen tonight. All that mattered was the kitchen.
There are passages in the book that prove to the reader that Erica Bauermeister "just gets it." Every mother would appreciate the lines:
"...after the children were born, it was as if no one could see further than the soft hair, the round cheeks of the babies she carried. She became the frame for the picture that was her son and daughter."
It is no overstatement to say that The School of Essential Ingredients is easily one of the best books I have read in a very long time. As each character is developed in their own chapter, the reader is witness to the evolution of strength by each person. In the end, they are all better people, happier people than when they came to the first cooking class. The entire novel is uplifting and inspiring, truly a treasure to anyone who likes a little sunshine in their life.
Monday, January 19, 2009
Nose Down, Eyes Up
Dog lovers are a breed of their own and I am not afraid to admit I am one of them. Therefore, it is always great fun to find a cute book about a dog; thanks to Merrill Markoe, one more has been added to that list.
Gil is a man in his late-forties who has been through a divorce, has been cursed with a dysfunctional family and earns enough to stay alive by living in homes of the wealthy while he does odd-jobs and construction to the home. His girlfriend, Sara, of five years, "speaks" with animals and adds three dogs to the list of one that already lives with him. He loves all of them but his favorite is definitely Jimmy. Jimmy was a gift from his ex-wife and was the very best thing that ever came of the marriage.
Suddenly one day, Gil is able to understand Jimmy, as well as every other dog he meets. He is amazed at the intelligence dogs have and their ability to reason and manipulate situations. Together Gil and Jimmy start a blog written in Jimmy's voice, hoping to capitalize on it by selling t-shirts with Jimmy's image on the front. Around the same time, Jimmy starts asking about his birth mother, insisting he meet her. Before long, Jimmy is snubbing Gil in favor of his biological family. All the while, Gil is breaking up with his wacky animal-communicator girlfriend, living in his ex-wife's guest house, being blackmailed by a private investigator and dealing with his mother's pressure to "bond" more with his doper brother. It's only when tragedy strikes that Gil and Jimmy are brought back together, their relationship even stronger than before.
Merrill Markoe writes in a breezy, easy-to-read style with a flare for pointing out the humor in both human and animal antics. I found myself laughing at least every two or three pages, mostly because there is such truth in the absurd when it comes to how people and animals behave. A scene at the beginning of the book has Jimmy addressing a posse of dogs from around the neighborhood; this is the first time Gil has heard them speak and he is standing silently out of their sight.
"Can I ask a question?" said Dink. "I know you've covered this before, but... tell me one more time: Is it pee inside, poo inside, eat and play outside? And what about puke? Is that inside or outside?"
"Here's a mnemonic device. Everything starting with p is outside. P is for 'patio.' P is for 'pool,' P is for 'plants.' P is for 'poo' and 'pee.' And 'puke.'"
"Are you sure?" said Dink. That doesn't sound right. If we were supposed to poo outside, why does Gil collect it in a bag and bring it inside?"
"Because Gil collects shit. No one knows why or what he does with it," said Jimmy. "From what I have observed, I think he maintains a pretty extensive collection and that's why he--"
"No. That is wrong. I don't collect it, I'm cleaning up the yard," I interrupted, unable to keep quiet any longer. Jimmy looked up, seeing me for the first time.
"Gil! Gil! Gil!! Hi, Gil! Hey! How are you! How ya been?" he said, trying to cover up the entire incident by running over to me and jumping around. "Hey, everybody! Gil's here. Isn't it great to see him?"
They all began to circle me enthusiastically, some of them hurling themselves into the air. "Oh, boy! Gil! Gil! Gil! It's so good to see you!"
"You look amazing! Let me smell you. Hey! You had chicken for lunch, didn't you? You got any more on you? Can I have some? Where you been all day!"
"That's enough, you guys," I said. "And just for the record, after I collect the shit in that bag, I throw it out. It goes into the garbage."
"All that work to throw it out? That makes no sense," said Jimmy. "Why?"
"It stinks and attracts flies," I explained patiently.
"Yes, I'm aware of that," Jimmy said, confused. "But you still haven't told us why you throw it out."
"Nose Down, Eyes Up" is an amusing, fast-paced book that any dog owner would be glad to read. Its wit and banter lighten the load of daily life, much the same as actually having a dog's tummy to scratch. It will be fun to see what Merrill Markoe comes up with next.
Friday, January 16, 2009
Letter To My Daughter
Maya Angelou has more wit and charm in her little finger than most people have in their entire body. More importantly, she is honest. In "Letter To My Daughter," she recounts stories from her life that let the reader know no one is perfect, but there is much importance in always trying to be your best self.
She explains why there is so much value in respecting others. She expounds why it is crucial to not make assumptions about others, using her own humorous anecdotes. One particularly funny memory she shares is about an actress from Senegal named Samia. Samia and her French husband invite Maya to a dinner party at their home. As all the guests are standing around the edges of a beautiful carpet in the center of the room, Maya thinks to herself that her opinion of Samia has been lowered, due to the fact she will not allow any of her guests to walk on this beautiful carpet. Maya, in an attempt to experiment, walks across the rug again and again, pretending to admire artwork on the walls. The other guests watch her with half-smiles on their faces, and she thinks to herself that the guests "might be encouraged to admit that rugs were to be walked on." Soon after though, two maids come and roll up the rug and remove it, only to put down another equally beautiful rug. Then they put dishes and silverware and glasses on the rug. It is then that Maya realizes she has been walking across the tablecloth! Maya concludes with, "In an unfamiliar culture, it is wise to offer no innovations, no suggestions, or lessons. The epitomy of sophistication is utter simplicity."
The only drawback to "Letter To My Daughter" is that it is not longer. I could have read ten times the amount of Maya Angelou's thoughts and stories and poetry. It is uplifting and heartening. Every woman who reads this book is sure to find at least one ray of sunshine.
Thursday, January 15, 2009
The Hour I First Believed
A good book will take the reader to another time and place. If you are comfortable with that time and place being inside a cabinet in Columbine High School's library on the day of the shootings, Wally Lamb's "The Hour I First Believed" is a truly stunning read. While it is a very heavy story (I cannot emphasize just how heavy it is), it is also a book about hope and putting one foot in front of the other. It is a story about trying again and again no matter what the outcome.
"The Hour I First Believed" is a longer book; it is not a weekend read. However, it is an excellent book, both in the story development and the more subtle subtexts. The only problems I can see some readers having with it is a) the "f" word is used throughout, and b) a one-sided liberal political agenda suddenly pops up approximately two-thirds of the way through. These two factors may turn some people off.
The book opens with the main character, Caelum Quirk, picking a pizza up on a Friday night at the local pizza place. There are two young men working the shift and Caelum knows them from the school he teaches at: Columbine High School. The reader knows, of course, the havoc Dylan Klebold and Eric Harris will wreak on their classmates and teachers the following week. This makes for an intense beginning, waiting for them to show their truly demonic selves to the world. Their rampage will take place the following Tuesday.
As it turns out, Caelum's beloved aunt has a stroke that weekend, so he is called to the east coast to tend to her in the hospital. He leaves his wife Maureen behind, as she is a school nurse at Columbine and can't really take the time off. While Caelum is in Connecticut, his aunt passes away. He is devastated by the loss and is going through the motions of arranging her funeral when he learns of the shooting at Columbine. His only thought is he needs to return to his wife, though he has been unable to reach her, thereby not knowing if she is even alive.
He arrives in Littleton and starts searching for her. Finally, he finds her at another school where all the survivors were evacuated to, and he takes her home. Instantly, he realizes she is a different person. The trauma she suffered while hiding in the cabinet in the library is brought to life by Wally Lamb's attention to details. As the reader, you truly feel like you were there in the library, scared beyond all belief.
"The Hour I First Believed" is an incredible account of what happened that day at Columbine. It is also a commendable tribute to those who perished, those who were victimized and those who had loved ones involved in any capacity. More than that, it is a book about moving beyond the horrors of life. It is about cultivating a new life and becoming your best person.
To move on, Caelum and Maureen move back to Connecticut, to the farmhouse left to him by his aunt. It has been handed down through several generations of Quirks, and Caelum is not thrilled at the prospect of spending his days there. No matter how he and Maureen try to move past the terrible ordeal Maureen has been through, they are still broken people, each moving through life in different ways. The sadness of the story does not end at Columbine. There are many sad days for them to struggle through, though the reader is always hoping for the best for Caelum and Maureen.
Wally Lamb's storytelling abilities are amazing. His writing style is so easy to follow; his characters are very easy to relate to; and in the end, the reader will feel as though they were the characters in the book and have survived the horrible ordeals only to finally be uplifted.
Wednesday, January 7, 2009
Testimony
I am an Anita Shreve fan.
That being said, this book was far below par for Anita Shreve. I was sadly disappointed that I was unable to enjoy it more.
"Testimony" is about some students at Avery, a boarding school in Vermont, who make a tape of one girl engaged in various sex acts with three upper-classmen. Because of one decision made by two people, everyone's life results in a domino affect.
My biggest complaint with the book was that the author wrote each chapter (each varying greatly in length) from a different person's persepective. While this was bad enough, it could be possible to make it work if she hadn't then written each of those characters from a different point-of-view. When a book changes by chapter from first-person to third-person to second-person, it takes too long for the reader to get back into that character's frame of mind. While I have always admired the fact that Anita Shreve loves to employ new or different technniques, I cannot give her credit for this story, except to say that once again she had attempted to break the mold.
The first chapter is written about Mike Bordwin, the headmaster at the boarding school. Using third-person, it in itself grabs the reader's attention, giving a false sense of secuity in this being the beginning of a good book:
It was a small cassette, not much bigger than the palm of his hand, and when Mike thought about the terrible license and risk exhibited on the tape, as well as its resultant destructive power, it was as though the two-by-three plastic package had been radioactive. Which it may as well have been since it produced something very like radiation sickness throughout the school, reducing the value of an Avery education, destroying at least two marriages that he knew of, ruining the futures of three students, and, most horrifying of all, resulting in a death.
Chapter two is written from Ellen's perspective (one of the mom's of one of the students on the sex scandal tape), but from the second-person point-of-view. I felt like I was reading my daughters' "If You Give A Mouse a Cookie" book.
You wait for the call in the night. You've waited for years. You've imagined the voice at the other end, officious and male, always male. You hear the words, but you can't form the sentences. It's bad luck to form the sentences, so you skip to the moment when you're standing by the phone and you've already heard the news and you wonder: How will I behave?
Will you scream? It seems unlikely. You are not a screamer. You can't remember the last time you screamed out loud. Will you collapse then, knees buckling, holding onto the wall as you go down? Or will you, as you suspect, simply freeze, the paralysis immediate and absolute, likely to last for hours, because to move is to have to make a life after the phone call, and you can't possibly imagine how you will do that.
The third chapter is written from another character's perspective but is back to being told from a third-person point-of-view.
The fourth chapter is written from yet another character's perspective, this time in first-person. Sienna is the girl at the center of the sex-tape scandal; the reader knows immediately that she was not completely innocent in what happened:
I'm like, if anyone touches me, I'm going to kill them. I have no money left. Do you have a dollar? I need... There's nothing in here. Just a bunch of dimes and nickels. I changed my name. I thought it up myself. My name used to be something else, but I like Sienna better. I was traumatized. I had to be in therapy for ages. You can put your life behind you and get a new start. I haven't thought about what happened in Vermont in, like, I don't know. I was the victim. I think someday I'll write a book about it.
As I said before, I have enjoyed most all of Anita Shreve's books. Unfortunately, "Testimony" misses its mark.
Tuesday, December 30, 2008
A Dog Named Christmas
As a dog lover, I enjoy coming across sweet stories about our canine companions, especially ones with happy endings. In my opinion, dogs deserve the best in life and that includes giving them happy endings in books.
"A Dog Named Christmas" is a rather quick-read (it took me an hour and a half from start to finish) but it is a lovely tale about a wonderful dog who has the heart of a lion, strong and steady. In the story, Todd, a developmentally challenged twenty-year old, decides to foster a dog from the local shelter for Christmas. Since he is still living in his parents' home, he has to first convince them to go along with it. Mary Ann, the mother, is easy to sway, and is soon turning the pressure up for George, the father, to agree with the scheme. George, who is incidentally a Vietnam War veteran, has had sad experiences with dogs in the past; he is stubborn and doesn't want to break down the wall he has built after so many years.
At last, George gives in and one week and one day before Christmas, he and Todd find themselves at the shelter choosing a dog. After settling on one and naming it Christmas, Todd agrees to the stipulation that the dog must be returned the day after Christmas, that they are only providing a temporary home for a dog over the holidays.
Of course, as a dog lover, I was thinking to myself the entire book, "How can they keep a dog for a week and take it back? There's no way they can do that!" The ending, of course, is up to the reader to discover.
"A Dog Named Christmas" is inviting, warming and simple. If you are an animal lover, this book is definitely available for your reading pleasure.
http://www.readerreport.com/
Saturday, December 27, 2008
Loving Frank
While reading this book, I flip-flopped like a freshly-caught fish on whether I liked the story or not. I have never been so undecided before. "Loving Frank" begins simply enough. It draws the reader in like any good book will do.
Mamah Cheney sidled up to the Studebaker and put her hand sideways on the crank. She had started the thing a hundred times before, but she still heard Edwin's words whenever she grabbed onto the handle. Leave your thumb out. If you don't, the crank can fly back and take your thumb right off. She churned with a fury now, but no sputter came from beneath the car's hood. Crunching across old snow to the driver's side, she checked the throttle and ignition, then returned to the handle and cranked again. Still nothing. A few teasing snowflakes floated under her hat rim and onto her face. She studied the sky, then set on from her house on foot toward the library.
It was a bitterly cold end-of-March day, and Chicago Avenue was a river of frozen slush. Mamah navigated her way through steaming horse droppings, the hem of her black coat lifted high. Three blocks west, at Oak Park Avenue, she leaped onto the wooden sidewalk and hurried south as the wet snow grew dense.
The images, including those of the teasing snowflakes and the steaming horse droppings, immediately paint a vivid winter picture of a woman who is desperate enough for a not-yet-specified-something to brave the cold. The reader soon learns Mamah Cheney is on her way to see Frank Lloyd Wright speak to a women's group.
Their affair begins in a fairly unobtrusive manner. A lingering glance. One's hand on another's leg. Sharing like thoughts that could never be shared with the spouse. Both Mamah and Frank are married to other people whom they each have children with, but they proceed with very little thought to that.
That is where the story started to lose me. The fact that Mamah and Frank seemed to hardly take their children into consideration, even seeming to almost resent the presence of their children, was what bothered me. However, since the framework of this story is true, I continued to read. Another point of contention I had with the book was that both Frank and Mamah seemed to adopt the attitude that they were the victims, not their spouses, because they were expected by society to be responsible to their own spouses. They wanted to be sympathized with by friends and neighbors. Perhaps in being unwilling to see Mamah and Frank's points, I am showing my age and standards.
In not giving up on the book, I was treated to a superb ending. Since few people know Mamah's history, the ending will shock the reader. It is gory and emotional, and while some of the neighbors in the book whispered that it was retribution, I felt completely sorry for both Mamah and Frank, as well as (almost) everyone else involved.
"Loving Frank" is very smartly written. Author Nancy Horan has a natural flow with her writing, making it easy to continue reading, even when you don't agree with the protagonists. She is able to breathe life into a story that has been brushed under the rug of forgotten history.
The book is interjected with newspaper articles and bits of actual history, but the writing is so seamless, it is hard to differentiate between the fact and the embellishment of Nancy Horan. She does provide an afterward that gives the reader a vague idea of which pieces she has filled in herself.
Overall, "Loving Frank" a very good book. Frank Lloyd Wright may have been a genius, but he also seems to have been a bit of a narcissist and egomaniac. Still, Nancy Horan has given a well-written account of what may or may not have transpired between Mamah and Frank. Since the middle of the book tends to drag a bit, I would give "Loving Frank" a B+.
http://www.ReaderReport.com
Wednesday, December 17, 2008
Grace
Wow! This book takes your breath away in the ease with which one can read it, the message it denotes, and the emotions it creates in the reader. While the story's climax happens shortly after Christmas, the entire book unfolds over a span of several months prior to Christmas. "Grace" is not a book that is only good at Christmas, it is good year-round.
Eric is a fourteen-year old boy who has been moved from California to Utah by his parents as they struggle financially. His younger brother, Joel, is his dearest friend, and the two of them build a clubhouse in their backyard. Fall arrives and so does school. Eric is a good kid who gets picked on at school for being a dork; he spends most nights working at a burger place not far from his house. One night, while he is closing up, he notices a girl named Grace in the dumpster; she appears to be eating scraps, so Eric invites her into the restaurant and gives her a free meal. She admits she has run away from home and has nowhere to go. Eric invites her to stay at the clubhouse.
In the next couple of months, Eric and Grace fall in love. They rely on each other for so many things, so when the truth of Grace's situation is made known, Eric remains faithful and stoic. He continues to help her in any way he can.
Richard Paul Evans tells a beautiful story, employing many mechanics to make a story grab your attention from the beginning. He draws practical, easy-to-envision images:
Our new home was a warped, rat-infested structure that smelled like mold and looked like it might have fallen over in a strong wind--- if it weren't for all the cracks in the walls that let the wind pass through. What was left of the paint on the exterior was peeling. The interior rooms were covered with wallpaper, most of it water-damaged with long rusted streaks running down the walls. Still, for a couple of boys from the California suburbs, the arrangement wasn't all bad. The house sat on nearly five wooded acres bordered on two sides by a creek that ran high enough to float in an inner tube during the summer.
Richard Paul Evans also has a way of lightening the mood in the story, just enough that the reader doesn't feel mired in sorrow. He writes easy-going dialogue that truly gives voice to each character. An example of a scene that makes the reader chuckle is when Eric is talking to his mom on a morning when he has agreed (much to his own dismay) to skip school with Grace.
The next morning I got ready as if I were going to school. Mom made us Cream of Wheat for breakfast and, as usual, Joel put so much raspberry jam in his bowl that his cereal was crimson.
"Like a little Cream of Wheat with your jam?" I asked.
He took a mouthful, reading the back of a cereal box. "I like it this way."
"I'm going to work early," my mom said. "We're counting inventory. Want a ride to school, Eric?"
Not once since school started had my mother asked if I wanted a ride. It's like she knew I was up to something. "Uh, no. Thanks. I'm meeting someone on the bus."
She looked at me with pleasant surprise. "You have a new friend?"
My mother was always concerned over my lack of friends.
"Yeah."
"What's his name?"
"Who?"
"Your friend."
"Oh. Gra...ck."
Her eyebrows rose. "Grack?"
I nodded.
"That's an odd name. Where's he from?"
"Uh, here."
"Hmm. Sounds Hungarian. What nationality is he?"
"American," I said. "I think."
"Well." She looked at the clock. "You'd better get going. Maybe Grack would like to come over sometime."
"Yeah. Sure. I'll ask."
She walked over and kissed me. "Have a good day," she said and left the room.
"Grace" is not just another Christmas story intended to make the reader have a revelation. There is an actual message with substance to this book. Grace is an abused teenager. Her step-father molests her. He abuses her both physically and emotionally. "Grace" serves as a reminder that there is always someone who needs help escaping their abusive homelife. All it takes is one person to help create a safer, better environment. While it is easy to turn our heads and look the other way, we need to be aware of others in our life.Even though "Grace" is a sad book, it is a story of hope, it is a story of living, it is a story of caring about the people around us. Richard Paul Evans has given us a rich story; read it and take it to heart.
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The Guernsey Literary and Potato Peel Pie Society
and Annie Barrows
Ordinarily, a book about a post-World War II German occupied island would not bring a smile to one's face. However, Mary Ann Shaffer and Annie Barrows have woven a tale that would make any shrew smile. "The Guernsey Literary and Potato Peel Society" is simply a splendid book. Since it is an epistolary novel, it is a quick and fun read that is easy to leave off and pick up again.
Juliet Ashton is a writer in London in 1946. She has a quick wit and possibly a short temper, though maybe it is more a case of being misunderstood. At any rate, Juliet is searching for her next great book idea (and searching for her true self) when she receives a letter from a man named Dawsey from Guernsey. He has no idea she is a writer but he has seen her name inscribed in the jacket of his favorite book by Charles Lamb, his favorite author. Dawsey is searching for more books by Charles Lamb, and as he has been living in German-occupied Guernsey, he has few ties to the "outside world."
In agreeing to help Dawsey procure more books, Juliet becomes a penpal to not only him but his friends in Guernsey. She is intrigued by the literary society they formed while occupied by the Germans and eventually writes an article about them for the newspaper. Juliet's friendships develop with them and before long, she makes a visit to Guernsey. What she discovers there are answers to the many questions that have burdened her.
In sitting down to read "The Guernsey Literary and Potato Peel Pie Society," the reader is drawn immediately to Juliet's humor and her ease of deeply loving those who are important in her life. In her first letter to Sidney, her publisher, the reader can feel the love and the lighthearted approach she has to life.
Dear Sidney,
Susan Scott is a wonder. We sold over forty copies of the book, which was very pleasant, much more more thrilling from my standpoint was the food. Susan managed to procure ration coupons for icing sugar and real eggs for the meringue. If all her literary luncheons are going to achieve these heights, I won't mind touring about the country. Do you suppose that a livish bonus could spur her on to butter? Let's try it--- you may deduct the money from my royalties.
Now for the grim news. You asked me how work on my new book is progressing. Sidney, it isn't.
English Foibles seemed so promising at first. After all, one should be able to write reams about the Society to Protest the Glorification of the English Bunny. I unearthed a photograph of the Vermin Exterminators' Trade Union, marching down an Oxford street with placards screaming "Down with Beatrix Potter!" But what is there to write about after a caption? Nothing, that's what.
I no longer want to write this book--- my head and my heart just aren't in it. Dear as Izzy Bickerstaff is--- and was--- to me, I don't want to write anything else under that name. I don't want to be considered a light-hearted journalist anymore. I do acknowledge that making readers laugh--- or at least chuckle--- during the war was no mean feat, but I don't want to do it anymore. I can't seem to dredge up any sense of proportion or balance these days, and God knows one cannot write humor without them.
In the meantime, I am very happy Stephens & Stark is making money on Izzy Bickerstaff Goes to War. It relieves my conscience over the debacle of my Anne Bronte biography.
P.S. I am reading the collected correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? "My dear little Jane, everybody is born with a vocation, and yours is to write charming little notes." I hope Jane spat on her.
"The Guernsey Literary and Potato Peel Pie Society" is a smartly written book. It was purely a joy to read a novel that presents facts in such a low-key manner. The reader learns so much about each character through subtly injected information in each letter. It is a relief to not be hit over the head with plot points and details.
Much praise is due to the writing team of Mary Ann Shaffer and Annie Barrows. Their story was delightfully fulfilling and should be at the very top of every reader's or book club's list.
Sunday, December 14, 2008
A Cedar Cove Christmas
While I am sure that Debbie Macomber is a very nice lady, it pains me to say that her newest book, "A Cedar Cove Christmas" is filled with so much schmaltz, I could feel my gag reflex working overtime. While a bit of "cheese" is good once in a while, "A Cedar Cove Christmas" is like living on a dairy farm in Wisconsin.
The book is about a girl in her early twenties who has gotten pregnant by an older man who has not-so-mysteriously disappeared. It is two days before Christmas and Mary Josephine (think about it) is being chastised by her three older brothers (their last name is Wyse, by the way) for not making the father of her unborn child marry her. So the morning of Christmas Eve, Mary Jo leaves to find the father of said unborn baby. She travels to Cedar Cove, a quaint town where it seems everyone knows everyone. She meets up with a librarian named Grace who invites her to stay at her farm, in the apartment over the barn (the barn that is housing a donkey, a sheep, and yes, a camel). Of course, Mary Jo agrees.
In the meantime, the three Wyse men jump into their truck to find their sister (but only after they grab a gold coin, some perfume, and some incense as "I'm-Sorry" gifts). They follow clues that could lead them to where she is staying, but they keep getting lost. While they are ambling around the wilds of rural Cedar Cove, Mary Jo goes into labor, calls the hot, young EMT named Mack (he had treated her earlier in the day for a dizzy spell), who jumps in the car and comes to the barn. Her hostess (Grace) is at church with her family for Christmas Eve services. Mack calls the church, just so happens to reach the secretary who finds the preacher who tells the secretary to pull the hostess out of the service. (Still with me?) Mack tells Grace there is no time to take Mary Jo to the hospital to have her baby. Instead, Grace has enough time to tell her family and a friend that Mary Jo is having the baby in the barn; the family leaves the church and some of them stop by their own respective homes to grab baby items (diapers, baby blankets and clothes), and they all get to the barn before the baby is born! Hmmm.........
Meanwhile, the three "Wyse" men are still driving around aimlessly, until they see fireworks and
decide to follow them. Yes, fireworks. And I know you will never guess where the fireworks are being set off-------
Back at the barn, hot, young EMT Mack delivers the baby girl while Mary Jo falls in love with him, and he with her. Grace's family is all hanging around the barnyard and her grandson starts to play his drum that he had just received as a gift that very night. Oh yes, you didn't think this story would be complete without a drumming child, did you?
Stay away from this story if you are diabetic or have any respect for your intelligence and the quality of literature you enjoy. It is one thing to read a book for fun, as we all need to do. But to allow the author to smack you over the head with the book, well, that's just a waste of time, isn't it?
Don't let this review sway you from reading some of Debbie Macombers other books. She does have quite a following. I have never read any of her other work, so I cannot say anything as to the quality of that. We're all allowed to have mistakes. Unfortunately, Debbie Macomber's mistake comes in the form of a book called "A Cedar Cove Christmas."
Remember people, I read them so you don't have to.
http://www.ReaderReport.com
Friday, December 12, 2008
The Tsarina's Daughter
A bittersweet story of the daughter of Tsar Nicholas II and Tsarina Alexandra, "The Tsarina's Daughter" creates an alternate ending for the very real story of what happened to Grand Duchess Tatiana during Russia's Revolution.
The story begins before the Revolution. Tatiana is six years old and living in affluence in the opulent Winter Palace in St. Petersburg. She has witnessed the love the Russian people have for her father and family; it is this love that starts to sour a few years later, shocking Tatiana. She begins to see the poverty and squalor some Russians are living in, and wonders at the stark difference between their living situations and her own.
As the story progresses, Tatiana falls in love as a girl. It is later, when she is a nurse during the war, that she finds love as a young woman. The soldier she falls in love with is her patient and she helps him regain complete health. He becomes her father's right-hand man, staying with him through the war, and finally during his abdication.
Once Tsar Nicholas abdicates, his family becomes prisoner in their palace. Upon his return from the war, soldiers remove them all to Siberia, where they are locked away in a cold, old house all through the winter.
"The Tsarina's Daughter" is a book that illustrates strength and perseverance, even in the most trying times. The reader is greatly sympathetic to Tatiana who never quits. She faces obstacles head-on and works to live her life. Author Carolly Erickson weaves a sad tale that really pulls at the reader's heartstrings, especially when the Tsar and his family are imprisoned and mistreated. In one scene, the family is finally allowed outside their home to take a spring picnic. When they get outside, there are people standing on the other side of the iron fence, shouting and calling them names like "German bitches," referring to Tatiana, her older sister Olga, her younger sisters Anastasia and Marie, and their mother. The Tsar tries to ask the guards to let them eat their meal inside, saying that it looked like it was about to rain. He is denied.
At a signal from papa we sat on the picnic cloth, hastily unwrapped the food in our hamper and tried to eat it as quickly as we could. But it was hard to force ourselves to take a single bite, with the constant yelling and jeering. To chew was torment, to swallow all but impossible, though I managed to force down a few small bites. The food was tasteless and stuck in my throat, making me cough.
Anastasia spat out her food. Marie managed to spill her plate, though whether she did this intentionally or not I couldn't have said. Mama sat on the cloth, unmoving, stony-faced. Papa ate, slowly and methodically, until the first raindrops began to fall.
We all looked up at the sky gratefully, hoping that we would be allowed to go back to the palace now that the weather had changed.
But we were wrong. We were forced to stay where we were, while the tormenting, taunting crowd grew, heedless of the rain, and the guards, enjoying our humiliation, stood by and watched the scene, making rude remarks to us and to each other and elbowing one another in the ribs and laughing.
The rainwater ran down our faces and into our mouths, mingling with the tasteless food, until in the end the plates were washed clean, the food having run off into the grass, and we were completely bedraggled.
"All right, Romanov," the head guard spat out. "Back to your jail now. The picnic's over."
My stomach hurt. I was nauseous. But I was afraid that if I threw up in front of our jailers there would be more punishment for us all. As we walked back to the palace I did my best to fight my nausea, holding onto Olga--- who, I could tell, was feeling ill too--- and concentrating on taking one step at a time.
This story of Tatiana Romanov and her family is embellished a great deal from the actual story of Tatiana Romanov, but it is a happier alternative (though only slightly) to how she really ends up. The book is well written; the characters are each integral. While you should not read the story to be educated on the facts of the Russian Revolution, you should read the book. It is a fantastic story full of suspense, sorrow, passion, and above all, perseverance.
http://www.ReaderReport.com
Sunday, December 7, 2008
A Silent Ocean Away: Colette's Dominion
Is it April 2009 yet? That is when the next book in this series comes out; it will be called "Decision and Destiny: Colette's Legacy." Avon Books must enjoy torturing their readers by making them wait for answers and resolutions in the drama of the Duvoisin family.
The book's Prologue is an attention-grabber:
An evening mist settled over the moss-scarred walls of the stone church, shrouding it in hopelessness. A solitary man slumped forward in one pew, muttering disparaging phrases to the looming shadows. He needed another drink. Expensive whiskey hadn't yielded peaceful oblivion, hadn't even dulled his senses. And yet, he wasn't drunk, what the hell was he doing in a house of God? What, indeed! He chortled insanely, the inebriated laugh ended in a dizzying hiccup. He'd come to pray--- pray for death. Not his own death. He wasn't quite so noble. Not yet, anyway. Instead, he petitioned the Almighty to bring about the demise of another. Retribution--- justice. His lips twisted with the delicious thought of it. Death...So simple a solution.
"Put him out of his misery. Put me out of my misery," he slurred, confronting the wooden crucifix that hung above the barren alter. "Do you hear?"
His sudden movement sent the walls careening, the statues a nauseating blur of spinning specters. He grasped for the bench, attempting to right his toppling world, but his hand missed its mark. Not so his forehead. It met the back of the wooden pew with a resounding crack. With a groan, he crumbled to the stone floor, his anger blanketed in a palette of smoky-blue, a vision that dissolved into the consuming void of blessed unconsciousness.
It was not until I re-read the Prologue after finishing the book that I realized we indeed see this mysterious character again. The clues are there, if the reader is attentive. It can be easy to miss though, because the reader gets drawn in by the great love story that evolves between Charmaine Ryan and Paul Duvoisin. Charmaine is an eighteen-year old girl who becomes a governess to three children on a Caribbean island. While Charmaine has great reason to distrust men, the children's older brother Paul, has great reason to love beautiful women. Thus, the two meet and are like oil and water. At first....
They come to an agreement. Paul will no longer make crude comments and proposition Charmaine, but she has to trust him. In time, she realizes she is falling in love with him. But is he falling in love with her?
Meanwhile, the Duvoisin clan has their own struggles to face. Frederic, the patriarch of the family, has been crippled by a stroke. His family is broken in two by an event (undisclosed as of yet) that happened among himself, his oldest son, John, and his bastard son, Paul. John is handling the family empire on the mainland in Virginia; he is basically in exile.
Colette, Frederic's second wife is ailing after two difficult pregnancies. It is then that she hires Charmaine as governess to her three young children, twin girls and a boy. Colette proves to be a wonderful friend to Charmaine and makes the Duvoisin family promise to keep Charmaine on as the governess to the children, even after her own passing. It is that simple act which secures Charmaine's position in an episode that takes place after Colette dies.
John seems to be trying to wreak havoc from the mainland when ships show up at the island with shipping invoices that have been tampered with and inventory that has been cluttered on the boat. He has few fans in the Duvoisin household, so when he actually shows up at Charmantes, on the island, he is met with much ire.
There are so many tiny details in "A Silent Ocean Away," it would be impossible to convey in one review all that will capture the reader. This book is a must-read for anyone who enjoys historical fiction, romance, intrigue, Caribbean islands, ships, or all of the above. The story is lavish and beautiful. It is a perfect escape to a gorgeous landscape with fascinating people in a remarkable era.
The authors, Debra and Valerie Gantt, are sisters. They created the pseudonym DeVa Gantt upon writing this story together. Their combined talents are sure to meet with great success in this, and all of their future books.
http://www.ReaderReport.com
Wednesday, December 3, 2008
What Happened To Anna K.
Anna Roitman is approaching her late-thirties when she marries Alex K., a Russian-Jewish immigrant like herself. He has become a successful businessman in New York and Anna quickly learns that she enjoys the ease of living a wealthy life. A son is born to the couple but Anna feels withdrawn, allowing the nanny to completely fill the maternal role. Instead, Anna focuses on preparing her postpartum body for an upcoming party; she wants to be the center of everyones' attention.
At the party, she meets her cousin Katia's boyfriend, David. Anna gives in to her weakness for writers and soon begins an affair with him. At the New York City Marathon, she feels the sudden need to confess the affair to her husband.
"What Happened To Anna K." is a depressing book. I remember feeling a constant sorrow while reading "Anna Karenina," and experienced the same feeling while reading this novel by Irina Reyn. This is not to say the book is bad. On the contrary, if a book can create that much tension in the reader's mind, it is possibly a very good book. If an author can paint such a desolate picture for the reader, then they have done their job.
"What Happened To Anna K." is a retelling of Leo Tolstoy's "Anna Karenina;" the difference being that the newer book is set in present times. One must feel sorry for Anna, in a way, but she also is quite the villainess. She basically lures men right out from under other women's noses. Ironically, the men in this story are portrayed as weak and incompetent. They are unhappy before they are married, and they are even unhappier after they get married.
The reader is made aware of the males' weaknesses, as well as exactly how Anna K. operates. At the aforementioned party, Katia has been delaying David's introduction to Anna, for fear Anna will charm her way into his heart. At last, the introduction can not be put off any longer:
Katia allowed herself to be led away, but she never took her eyes off Anna and David. She knew him, yes, she did, she knew him well enough to read every sign. She knew what his gestures meant, the way he tipped his head to the right, listening to Anna intently. Every time she looked back, they were still rooted to the spot. She watched David lift a bottle of wine off the table and pour Anna a glass. He handed it to her by the stem, holding it just a second too long, as if to verify that it would not come crashing to the floor. From his face, she could tell they were talking about books, books Katia had not read but Anna probably had. Nabokov novels no one had heard of (more obscure than Lolita, even Katia had tried to hack away at that one after David mentioned how much he loved it). Maybe David was trotting out his beloved Brodsky or that Polish Szymborska. Why else was the usually shy David so translucent, practically trembling with charm.
Katia looked around for Alex K., but he was lost in conversation with another man. Should she draw his attention to the scene, or was it not her place? Turning back to them, Katia recognized the old Anna K., the one whose existence she had always known about but denied, her small, peaceful actions of flirtation, almost unobtrusive, the invisible ways in which she controlled a man's attention, then swallowed it whole. In the past, Katia had admired this quality of Anna's, her enviable composure. Didn't Katia have the smallest crush on all that, if she were to be completely honest?
But there they stood. Why, she was almost as tall as he was, and they were leaning into each other. Was the music too loud, was that why they had to whisper? Why did the momentum of their conversation generate speed, whirring, one picking up where the other left off, sentences left unfinished, unarticulated? He nodded, he kept on nodding, agreeing with her, nodding, while Anna appeared composed, polite, even. But Katia read the pinkness of her cousin's chest--- it was this that gave her pleasure away, her deep, red enjoyment in the conversation.
"What Happened To Anna K." is an intriguing book, full of Russian Jewish ideals and practices. It places a certain value on the sanctity of marriage, and gives the message that sometimes, it is truly best to work through marital problems first, with your spouse. To be able to do this, one must be able to identify one's self. Which "Anna K." character are you?
http://www.ReaderReport.com
Wednesday, November 26, 2008
Undiscovered Country
Hamlet was one of Shakepeare's most popular plays, and over the years, it is become a story that is re-told by countless writers. Lin Enger is the most recent author to attempt this re-telling of a son avenging his father's death.
Jesse Matson is hunting with his father one day when he hears a gunshot in the direction of his father's hunting stand. He runs through the woods and finds his father's body, a portion of his head missing from a gunshot wound. The death is deemed a suicide but Jesse has reason to doubt it. His father's ghost visits him and tells Jesse it was Jesse's uncle Clay, his father's jealous brother. Jesse starts formulating how he can trick his uncle into admitting guilt, but then he begins to plot his uncle's murder, to avenge his own father's death.
Everyone around Jesse tries to tell him that he needs to let it go, that he is insane, that he has no proof. Jesse stands firm in his belief of his uncle's guilt.
Lin Enger is a very good author, his story of deception and disloyalty is a timeless tale. He has written a book that makes the reader intrigued by the duplicity of the characters. However, he does employ some techniques of a modernist writer, in that he uses no quotation marks in the entire three-hundred pages. To someone who enjoys a more "conservative" approach to writing, the absence of quotation marks is distracting and at times confusing. I found myself having to re-read quite a few passages to understand who was actually saying what. Certainly, Lin Enger's nod to authors such as Henry James and James Joyce is respectable. Modernist literature is just not my "cup of tea." Had the book simply used quotes, I would have given a glowing review.
http://www.ReaderReport.com
Friday, November 21, 2008
Mistress of the Sun
A novel with a little bit of everything, "Mistress of the Sun" is one to add to any "favorites" list. It conveys the romance of being at French court in the seventeenth century. Author Sandra Gulland has added every element to hold the reader's attention: romance, intrigue, sorcery, religion, all set against the backdrop of Paris and the outerlying areas. There are cold, crumbling castles as well as cozy, well-furnished castles and villas.
The story's spotlight opens on Louise, known as Petite to her friends and family. Louise is a six-year old girl who is "horse-possessed," as her father says. After sneaking off to town one day, so that she could see a traveling show with horses, she sees a beautiful white stallion, strong and bedeviled, according to his previous handlers. Petite feels an instant connection to the horse and convinces her father to purchase it for her.
After getting the horse home, no one is able to train the him, so Petite dares to try a magic spell she reads about in a book from her father's library. Upon completion of the spell, the horse is instantly tame and submissive with Petite. Petite is afraid that her spell has opened a door for the devil and she often hears sounds that frighten her at night. The family deteriorates one day when Petite's father is found dead in the horse barn and the white horse has vanished. Petite is sent to a convent.
She spends a few years there, studying and worshiping, until one day her mother comes and takes her away from the convent. Petite is sad to leave the solace of the church but remains devout. Her mother marries a man who has ties to the court. Through a series of events, Petite is made a waiting maid to a princess.
Eventually, Petite is noticed by King Louis XIV, who was only a young man at the time. He begins to show her favor and they fall into a torrid affair, even though he is married. She feels guilt daily over the relationship they develop, but her love for him is strengthened nonetheless. He, in turn, seems to be a most attentive, ardent lover. It is obvious that he truly would give her anything to make her happy, as long as it was within the confines of that which was good and proper for a King and what was expected of him. He creates a way for them to escape the prying eyes of court and asks her to accompany he and some of his men on a long hunt, away from the city. The only catch is she is to dress like a man, even though the men in their party are privy to the fact it is she, the mistress of the King. Upon arriving at the hunt chateau, the reader is gladdened by being witness to the King's indulgences for Petite.
The hunt chateau was like a fairy tale house: slate roof, wrought-iron balconies, marble courtyard and a little dry moat. Made of red bricks and white stone, it reminded Petite of the chateau at Blois, but in miniature, and all of a piece.
"Welcome, Your Majesty!" A stout, red-faced man with a drooping mustache cried out greetings, waving his hat about in a confusion of etiquette. "We were told that the road was washed out." He held the reins of Louis's horse as the King dismounted. "We feared you might not get across."
"Nothing stops this rider," Louis said, indicating Petite.
"Get this young man's horse," the stout man called out to a boy sprinting across the cobblestones.
"I think he's a girl," the boy said, studying Petite as she dismounted.
"I think so too," Louis said with a laugh. "Messieurs, please pay your respects to Mademoiselle de la Valliere," he announced, swiping off Petite's hat and wig, allowing her golden curls to fall to her shoulders. "Mistress of this chateau."
Life continues upon their return to court. There are parties and secret get-aways, but Petite soon learns that no one can ever be trusted. The story is rich with back-biting, complications and trickery. Friends and families are torn apart.Ultimately, Petite realizes that to save others, sometimes you must first save yourself.
"Mistress of the Sun" plays with every emotion available to the reader. The chicanery and amour move the story along swiftly, making it impossible to put the book down once you have started it. This novel is a little weightier and will require more than one's average weekend to read, but it holds your attention. Sandra Gulland is an extraordinary writer and master storyteller, definitely one of the very, very best.
http://www.ReaderReport.com
Sunday, November 16, 2008
The Christmas Sweater
with Kevin Balfe and Jason Wright
New York Times Bestselling Author Glenn Beck tries his hand at writing a novel about a Christmas epiphany for a twelve-year old named Eddie. While the book is loosely based on some of the events in Glenn Beck's own life, "The Christmas Sweater" is a story about growing emotionally and spiritually. It is a parable of holding tightly to faith while being challenged to release it.
The book starts with Eddie pleading with God for a red Huffy bike for Christmas, even though he knows money has been tight since his father died a few years earlier. He has been doing his chores and trying to be more compliant with his mother. When Christmas morning rolls around though, there is no bike in sight. Eddie has a pre-teen tantrum and as the day wears on, he gets more and more upset. He thinks about all his friends and assumes they have all gotten better presents than the roll of pennies and the ugly hand-knit sweater he received.
When his mom tells him they are going to spend the night at his grandparents' instead of driving the hour and a half it would take to get home, he demands they go home anyway. He refuses to have any fun. His mom finally relents and they make their way home. That is when Eddie's life changes forever.
Glenn Beck writes in a very easy-to-read style. The reader is instantly engaged by the simple flow of words. The story starts out,
The wipers cut semicircles through the snow on the windshield. It's good snow, I thought as I slid forward and rested my chin on the vinyl of the front seat.
"Sit back, honey," my mother, Mary, gently commanded. She was thirty-nine years old, but her tired eyes and the streaks of gray infiltrating her otherwise coal black hair made most people think she was much older. If your age was determined by what you'd been through in life, they would have been right.
"But Mom, I can't see the snow when I sit back."
"Okay. But just until we stop for gas."
I scooted up farther and rested my worn Keds on the hump that ran through the middle of our old Pinto station wagon. I was skinny and tall for my age, which made my knees curl up toward my chest. Mom said I was safer in the backseat, but deep down I knew that it wasn't really about safety, it was about the radio. I was constantly playing with it, changing the dial from her boring Perry Como station to something that played real music.
"The Christmas Sweater" is a book about a revelation that ends with a twist. It is a short read but the sentiment is uplifting. The true miracle is coming to the realization that life is what you make of it. Hopefully, this book is only the first in Glenn Beck's foray into writing novels.
http://www.ReaderReport.com